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Leo Horoscope Today: June 27, 2025

You may have felt cheated in your past, Leo, but that is not your truth anymore. Stand up for yourself and your beliefs. Slowly inch your way towards the shores, because you know the storm won’t last forever. Yes, there was a time when you were full of innocence, and someone took advantage of this, and then your bubble burst. But you know the mark of true strength? To reinforce that bubble once again and allow yourself to float through life. Instead of trying to save everyone else, become aware of how you are compromising yourself. Share, but be discerning of who you feel truly has your back.

Cosmic tip: Emotional fulfilment and creative potential are here for you. Claim them now.

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Aries June 27, 2025

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Cancer June 27, 2025

Virgo June 27, 2025

Libra June 27, 2025

Scorpio June 27, 2025

Sagittarius June 27, 2025

Capricorn June 27, 2025

Aquarius June 27, 2025

Pisces June 27, 2025


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Simone Ashley and Sonam Kapoor Ahuja brought structure and glam in the best looks of the week

Priyanka Chopra Jonas embraced sharp tailoring with a quietly commanding presence. Stepping out in a head-to-toe Ferragamo look from the pre-fall 2025 collection, she wore a crisp black button-down paired with boot-cut trousers—clean lines, no excess. For accessories, even this mega star opted for a sleek black scarf, elevating the look. It was polished, pared-back power dressing, reimagined for now.

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Simone Ashley brought unapologetic glamour to the London premiere of F1 in a sculptural Balmain look from the fall 2025 collection. Cast in high-shine gold, her outfit balanced structure and sensuality. 3D embellishments—Balmain’s signature—offered a futuristic texture, while the exaggerated peplum hem introduced sharp visual contrast. A matching gold skirt cinched at the waist further amplified the hourglass effect. With such a commanding look, the accessories were kept deliberate: oversized gold hoops, a matching watch and Jimmy Choo heels that quietly held their own. No theatrics. Just pure architectural impact.

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Exclusive: Kallol Datta returns with a new textile-based exhibition for the first time in Mumbai

“Each donated item is a marker—of memory, an episodic event, a lived experience.” A few shirts and blouses from Van Noten’s 2000 collections, were reworked to make three jeogoris, in the exact dimensions of historical and excavated samples from the late Joseon period from 18th and 19th centuries. While Datta claims to have been only superficially aware of Van Noten’s work before the donation, I point out their similarity. Van Noten also left fashion at the height of his career. In a time of massive commercial gains, Van Noten’s quiet retirement felt like a final act of integrity—something Datta lives by. Take for instance his materials, “While working on the series based on late-Joseon Korea,” he notes, “I was conscious not to use any Japanese textiles because of the trauma of occupation.”

Datta’s work has always demanded you sit with discomfort, not resolve it. From his early fashion collections with radical cuts, bulbous forms, and unorthodox styling—as a challenge to the zeitgeist—to now, he has long challenged the visual codes others avoid. “Since its inception,” he states, “the act of donning cloth has been political. Dominant majorities have used clothing to intimidate, subjugate and control minorities into behaving, assimilating, falling in line.”

Datta’s garments didn’t flatter so much as they resisted; they exposed, reawakened and derided. Now, as he moves further into the realm of textile-based art, that tension remains, but it has grown quieter, deeper and even more unsettling. There’s perhaps an unconscious but nuanced commentary on constriction. Like silkworms escaping their own cocoons or clarity emerging after a cold plunge that almost arrested your heartbeat. Pressure becomes a portal in Datta’s work—not to suffering, but to clarity. The madness is not in the artist, but in the systems built around normalcy. This exhibit doesn’t escape those structures; it mirrors it.

Kallol Datta Poster 01 2025 Reconstructed sarie silk thread cotton and polyester  Photo courtesy Experimenter

Kallol Datta, Poster 01, 2025; Reconstructed sarie; silk, thread, cotton and polyester (6 1/2 x 14 in, 16.5 x 35.6 cm) Photo courtesy: Experimenter


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